{"id":16366,"date":"2017-02-01T00:00:00","date_gmt":"2017-02-01T05:00:00","guid":{"rendered":"https:\/\/lesvoixhumaines.org\/susie-napper-copy\/"},"modified":"2019-11-12T20:16:14","modified_gmt":"2019-11-13T01:16:14","slug":"susie-napper-en","status":"publish","type":"post","link":"https:\/\/lesvoixhumaines.org\/en\/susie-napper-en\/","title":{"rendered":"Susie Napper"},"content":{"rendered":"<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-93rh5a-3c5ed22a9dc67098b4f80e74c9603968\">\n.flex_column.av-93rh5a-3c5ed22a9dc67098b4f80e74c9603968{\nborder-radius:0px 0px 0px 0px;\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-93rh5a-3c5ed22a9dc67098b4f80e74c9603968 av_one_full  avia-builder-el-0  el_before_av_three_fourth  avia-builder-el-first  first flex_column_div av-zero-column-padding '   ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-29e9gni-d7e785bbf9f6c45b5db7bc8cf5e550de\">\n#top .av-special-heading.av-29e9gni-d7e785bbf9f6c45b5db7bc8cf5e550de{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-29e9gni-d7e785bbf9f6c45b5db7bc8cf5e550de .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-29e9gni-d7e785bbf9f6c45b5db7bc8cf5e550de .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-29e9gni-d7e785bbf9f6c45b5db7bc8cf5e550de av-special-heading-h3  avia-builder-el-1  avia-builder-el-no-sibling '><h3 class='av-special-heading-tag'  itemprop=\"headline\"  >Susie Napper, viola da gamba<\/h3><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><\/div>\r\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1smo7ke-003f546778cb2613d481cdff203f7439\">\n.flex_column.av-1smo7ke-003f546778cb2613d481cdff203f7439{\nborder-radius:0px 0px 0px 0px;\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1smo7ke-003f546778cb2613d481cdff203f7439 av_three_fourth  avia-builder-el-2  el_after_av_one_full  el_before_av_one_fourth  first flex_column_div av-zero-column-padding column-top-margin'   ><section  class='av_textblock_section av-jgmjruq4-6e4af560e813398140f25de71ac5b806'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>As Tobias Hume wrote in 1605: <em>Now to use a modest shortnes<\/em><em>s<\/em><em>, and a <\/em><em>brief<\/em><em> expression of my <\/em><em>self<\/em><em> to all noble <\/em><em>spirits<\/em><em>,<\/em> I was named <em>Femme de Merite,<\/em> Montreal, 2011 and Personality of the year, <em>Prix Opus<\/em> 2002!<\/p>\n<p>Cellist, gambist, continuo player par excellence, I\u2019m alternatively praised or admonished for my colourful and controversial performances of solo and chamber repertoire of the baroque!<\/p>\n<p>A rebel to the core, from an artistic milieu in London, in my teens I played first performances of Ligetti and Stockhausen as well as performance-art productions in alternative venues. By contrast I studied at Juilliard in New York at the height of the Vietnam resistance and at the Paris Conservatoire at the end of the student riots of \u201868.<\/p>\n<p>San Francisco followed, where, having had an epiphany on receiving a bass viol, I threw myself headlong into new-wave, HIP baroque music-making, teaching myself the viol by playing, reading treatises and creating new styles of performance inspired by old!<\/p>\n<p>In 1676, Thomas Mace expressed my sentiments: I have been more <em>Sensibly, Fervently<\/em>, and <em>Zealously Captivated<\/em>, and drawn into <em>Divine Raptures<\/em>, and <em>Contemplations<\/em>, by Those <em>Unexpressible Rhetorical, Uncontroulable Perswasions<\/em>, and <em>Instructions<\/em> of <em>Musicks Divine Language<\/em><\/p>\n<p>As well as co-founding <a href=\"https:\/\/philharmonia.org\/\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"broken_link\">Philharmonia Baroque Orchestra<\/a> with my partner and inspiration, baroque oboist and writer, the late Bruce Haynes, we spent decades parenting delightful kids and musicing in Montreal where I created the <a href=\"https:\/\/www.montrealbaroque.com\/index.php?vLangue=en\" target=\"_blank\" rel=\"noopener noreferrer\">Montreal Baroque Festival<\/a>, a vehicle to unite the multitalented, Montreal early music community.<\/p>\n<p>Centre of my domaine and a constant pleasure has been my kitchen where colourful, flavourful, creative dishes have echoed my musical taste to surprise, move and inspire!<\/p>\n<p>A perfect description of my vision of music making, Sloane wrote c.1794: <em>There must be an Order and just Proportion, Intricacy with Simplicity in the Component parts, Variety in the Mass, and Light and Shadow in the whole, so as to produce the varied sensations of gaiety and melancholy, of wildness and even surprise and wonder<\/em>&#8230;<\/p>\n<p>I have spent decades with a foot on either side of the Atlantic recording, performing, teaching in Montreal and Copenhagen and touring around Europe, the Far East and Oceania often with my musical partner-in-crime, Margaret Little in the viol duo, <em>Les Voix humaines. <\/em><\/p>\n<p>Amongst dozens of recordings, the complete <em>Concerts a deux violes esgales <\/em>by<em> Sieur de Ste Colombe <\/em>is<em> a<\/em> highlight and our arrangements of music stolen from the wider baroque repertoire amuse us and our audiences!<\/p>\n<p>Either praised or criticized for my use of rubato, general freedom of expression, variety of bow strokes and undying preference for harmony over melody, I\u2019m constantly searching for rhetorical meaning and eloquence to bring the printed page to life!<\/p>\n<p>As Thomas Mace says in 1676: &#8230;when we come to be <em>Masters&#8230;<\/em> we can <em>command all manner of Time<\/em>, at our <em>own Pleasures<\/em>; we Then <em>take Liberty <\/em>for <em>Humour<\/em> <em>and good Adornment-sake, <\/em>to <em>Break Time<\/em>; <em>sometimes Faster<\/em>, <em>sometimes Slower<\/em>, as we perceive, the <em>Nature of the Thing<\/em> <em>Requires<\/em>, which&#8230;adds much <em>Grace <\/em>and <em>Luster <\/em>to the <em>Performance<\/em><\/p>\n<\/div><\/section><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bc5dfy-3b8031bed550c09e9048f262e18813f1\">\n.flex_column.av-1bc5dfy-3b8031bed550c09e9048f262e18813f1{\nborder-radius:0px 0px 0px 0px;\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bc5dfy-3b8031bed550c09e9048f262e18813f1 av_one_fourth  avia-builder-el-4  el_after_av_three_fourth  avia-builder-el-last  flex_column_div av-zero-column-padding column-top-margin'   ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mvgzf2-13e9a5da7f38cbe4f576007964f81f68\">\n.avia-image-container.av-mvgzf2-13e9a5da7f38cbe4f576007964f81f68 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-mvgzf2-13e9a5da7f38cbe4f576007964f81f68 av-styling- avia-align-center  avia-builder-el-5  avia-builder-el-no-sibling '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img class='wp-image-18217 avia-img-lazy-loading-not-18217 avia_image' src='https:\/\/lesvoixhumaines.org\/wp-content\/uploads\/2006\/06\/Susie-Napper-1-265x300.jpg' alt='' title='Susie Napper'  height=\"300\" width=\"265\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div><\/p>","protected":false},"excerpt":{"rendered":"<p><strong>Susie Napper, Viola da gamba<\/strong><\/p>\r\n<p>As Tobias Hume wrote in 1605: <em>Now to use a modest shortnes<\/em><em>s<\/em><em>, and a <\/em><em>brief<\/em><em> expression of my <\/em><em>self<\/em><em> to all noble <\/em><em>spirits<\/em><em>,<\/em> I was named <em>Femme de Merite,<\/em> Montreal, 2011 and Personality of the year, <em>Prix Opus<\/em> 2002!<\/p>","protected":false},"author":1,"featured_media":9080,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"0","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":[],"_tribe_ticket_has_attendee_info_fields":false},"categories":[465,463],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.6 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