{"id":16322,"date":"2017-05-17T11:50:39","date_gmt":"2017-05-17T15:50:39","guid":{"rendered":"https:\/\/lesvoixhumaines.org\/lart-de-la-fugue-de-j-s-bach-3-copy\/"},"modified":"2019-11-12T22:32:22","modified_gmt":"2019-11-13T03:32:22","slug":"j-s-bachs-the-art-of-the-fugue","status":"publish","type":"post","link":"https:\/\/lesvoixhumaines.org\/en\/j-s-bachs-the-art-of-the-fugue\/","title":{"rendered":"J.S. Bach\u2019s The Art of The Fugue"},"content":{"rendered":"<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-k2wq9xtd-0f555a1ed063f57886c7127afe48a732\">\n#top .av-special-heading.av-k2wq9xtd-0f555a1ed063f57886c7127afe48a732{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-k2wq9xtd-0f555a1ed063f57886c7127afe48a732 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-k2wq9xtd-0f555a1ed063f57886c7127afe48a732 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-k2wq9xtd-0f555a1ed063f57886c7127afe48a732 av-special-heading-h3 blockquote modern-quote  avia-builder-el-0  el_before_av_two_third  avia-builder-el-first '><h3 class='av-special-heading-tag'  itemprop=\"headline\"  >J.S. Bach\u2019s The Art Of The Fugue<\/h3><div class='av-subheading av-subheading_below'><p>Les Voix humaines Consort of Viols :<\/p>\n<p>Margaret Little, M\u00e9lisande Corriveau, Felix Deak &amp; Susie Napper<\/p>\n<p>Johann Sebastian Bach\u2019s most sophisticated composition<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\r\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_two_third-9497bbf8bff73ea4c6992cc17fa9ec36\">\n.flex_column.av-av_two_third-9497bbf8bff73ea4c6992cc17fa9ec36{\nborder-radius:0px 0px 0px 0px;\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-av_two_third-9497bbf8bff73ea4c6992cc17fa9ec36 av_two_third  avia-builder-el-1  el_after_av_heading  el_before_av_one_third  first flex_column_div av-zero-column-padding '   ><p><section  class='av_textblock_section av-ji0j9fyt-4bade79d6b720e71f283cbbbad6458fe'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>In 1739, Johann Mattheson, musicologist and composer, challenged \u201cthe famous Mr. Bach of Leipzig, who is a great master of fugue,\u201d to publish some triple fugues in invertible counterpoint, i.e. fugues with three subjects that could be combined in any permutation. Bach subsequently embarked on an even more ambitious undertaking that would occupy him, on and off, during the final decade of his life, and which he left unfinished: a monumental work to serve as a practical treatise, <em>The Art of Fugue<\/em>.<\/p>\n<p>Bach had never been interested in theory textbooks preferring instead to place performance at the fore. He doesn\u2019t enumerate rules, devise exercises or provide examples. Rather, he offers fully-formed compositions that illustrate both the expressive and technical potential of fugal writing. The work includes many moments of gravitas but each fugue is imbued with multiple affects, many popular styles including French overtures and various dances, throughout which Bach\u2019s brilliant sense of humour shines out.<\/p>\n<p>The last fugue was left unfinished at Bach\u2019s death and the autograph copy includes a note in the handwriting of Bach\u2019s son, C.P.E. Bach, stating that, at the point where his father introduced the name BACH (B flat, A, C, B natural) in the countersubject, he died. Musicologists reject this melodramatic statement claiming that Johann Sebastian most likely hadn\u2019t worked on <em>The Art of Fugue<\/em> for months, considering his final health problems. Many other composers have subsequently written possible endings to the unfinished fugue. However Bach\u2019s ending in mid-phrase remains intriguing and leaves all options open to the imagination of generations of music lovers!<\/p>\n<p>Available at <a href=\"https:\/\/www.atmaclassique.com\/en\/albums\/albuminfo.aspx?albumid=1484\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"broken_link\">ATMA CLASSIC<\/a><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-av_textblock-396ddf1f42196ca838231e61a4602801'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><div class=\"titre-extrait\">Audio excerpt :&nbsp; J. S. Bach: Fugue # 4<\/div>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-16322-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/lesvoixhumaines.org\/wp-content\/uploads\/2016\/12\/04-Die-Kunst-Der-Fuge-The-Art-Of-Fu.mp3?_=1\" \/><a href=\"https:\/\/lesvoixhumaines.org\/wp-content\/uploads\/2016\/12\/04-Die-Kunst-Der-Fuge-The-Art-Of-Fu.mp3\">https:\/\/lesvoixhumaines.org\/wp-content\/uploads\/2016\/12\/04-Die-Kunst-Der-Fuge-The-Art-Of-Fu.mp3<\/a><\/audio>\n<\/div><\/section><\/p><\/div>\r\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_third-0aa7055fe62c3622faec82866afbaeb2\">\n.flex_column.av-av_one_third-0aa7055fe62c3622faec82866afbaeb2{\nborder-radius:0px 0px 0px 0px;\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-av_one_third-0aa7055fe62c3622faec82866afbaeb2 av_one_third  avia-builder-el-4  el_after_av_two_third  avia-builder-el-last  flex_column_div av-zero-column-padding '   ><div  class='avia-video av-av_video-2bd4f7e4646a23294d1f5f20b2a4c582 avia-video-16-9 av-no-preview-image avia-video-load-always av-lazyload-immediate av-lazyload-video-embed'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='https:\/\/youtu.be\/Gl3NBBlUuYg'><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe width=\"1500\" height=\"844\" src=\"https:\/\/www.youtube.com\/embed\/Gl3NBBlUuYg?wmode=transparent&amp;rel=0&amp;feature=oembed&autoplay=0&loop=0&controls=1&mute=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Johann Sebastian Bach\u2019s most sophisticated composition.<\/p>","protected":false},"author":2,"featured_media":18202,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"ngg_post_thumbnail":0,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"0","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":[],"_tribe_ticket_has_attendee_info_fields":false},"categories":["1","11","50","143","59","61","63","65","343","67","71","73","75","77","101","81","83","85","87","91","94","99","96","174","103","105","145","149","151","176","180","474","182","233","235","237","239","245","255","259","313","301","315","317","319","321","323","334","340","426","428","432","434","436","438","440","442","444","446","448","450","454","458","463","465","467","540","541"],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>J.S. 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